True Detective, HBO’s anthology crime drama television series created and written by Nic Pizzolatto (in the first three seasons), has an interesting structure. Each season is structured as a self-contained narrative, employing new cast ensembles and following new characters and settings. These seasons each tap into a differentgenre of police proceduraland crime thriller. It’s also a deeply anti-authoritarian show, with each season ultimately attributing the crimes (almost always sex trafficking or the murder of women) to a different power system. It essentially breaks down like this:
True Detective
Power Structure
Southern Gothic Horror
Southern Noir
The Church
The Police
The Government
Racial Buddy Cop Drama
Corporations
Arctic Noir
Polar Horror
Scientific and Medical
Establishments
This has allowedTrue Detectiveto at least partially mix up its tone and direction, even if the writing in the first three seasons has been fundamentally rooted in pulpy James Ellroy-style dialogue mixed with philosophical pessimism. The fourth season, which recently aired its finale on HBO, changed things up a bit by introducing a much more directly supernatural element, and with Pizzolatto no longer running the show, director, writer, and executive producer Issa López created very different characters and dialogue (with much fewer soliloquies).
Another distinguishing element between each season ofTrue Detectiveis the phenomenal castbringing these stories to life. The series has featured some of the best actors working today — Matthew McConaughey, Woody Harrelson, Colin Farrell, Rachel McAdams, Alexandra Daddario, Mahershala Ali, Jodie Foster, Sarah Gadon, John Hawkes, and many more. The performances are a big part of what makes one season better than another, but there are other factors at play. Here is every season ofTrue Detective, ranked.
4Season 2 (2015)
The second season ofTrue Detectivepremiered in June 2015 and contains eight episodes. The storyline finds three law enforcement officers — detective Ray Velcoro (the most excellent Colin Farrell), Sheriff Ani Bezzerides (Rachel McAdams), and California Highway Patrol Officer Paul Woodrugh (Taylor Kitsch) — teaming up against a scorched California backdrop to solve the murder of politician Ben Caspere. Meanwhile, career criminal Frank Semyon (Vince Vaughn) attempts to legitimize his business with his wife, Jordan (Kelly Reilly), by investing in a rail project overseen by Caspere. However, following Caspere’s death, Jordan starts his own independent investigation.
Season 2 Was a Little Too Ambitious
While giving a valiant effort to shake up the O.G. formula, this season, unfortunately, misses the mark overall. It opted for more of a difficult-to-follow, interweaving storyline centered around criminals and cops alike — differing significantly from season one’s nonlinear, two-sided character study. Despite its earnest intentions to expand and some genuinely adrenaline-pounding action sequences,True Detectiveseason twofalls short of its past success. Let’s not forget that the first season was written and carefully constructed over years of diligent work (and had the great material of Thomas Ligotti to ‘draw from’), while the second season had a tight turnaround.
For all its messiness and occasionally cringe dialogue, however, this season is benefited enormously by another strong ensemble, including an interestinglydramatic turn by Vince Vaughnthat was often ridiculed but is actually pretty fun to watch. Colin Farrell and Rachel McAdams make a heartbreaking pair of self-destructive loners and go all in on their performances. The nighttime L.A. cinematography is also stunning. And that dream sequence in episode two, echoingTwin Peaks,plus a veryEyes Wide Shutorgy in episode six, both mark season highlights.
Related:The Main Problem With True Detective Season 2 Came From This Major Plot Hole
3Season 3 (2019)
The third season ofTrue Detectivepremiered in January 2019 and also contains eight episodes. This time around, we follow detectives Wayne Hays (Mahershala Ali) and Roland West (Stephen Dorff) across decades as they investigate the disappearance of two children. This installment’s Southern backdrops, nonlinear narrative, and tortuously unsolved mystery are among the key elements that fans will remember from the universally acclaimed first season. The results in season three, however, aren’t quite as successful.
One of the great benefits of this season is that it plays with the concept of memory, establishing how we perceive critical events in our lives. This is done by having its “true detective” Hays (Ali) suffer from dementia in his older years, which clouds his memory of the unsolved crime and plagues him with hallucinations.
There’s also the endless obsession with time that definedTrue Detective’s first season. Like that season, this one takes place in multiple time periods. But where season three eclipses season one is in its willingness to give the audience just enough information to start to fill in the blanks. The mystery remains somewhat obscure, but all the pieces come together for a surprisingly warm (yet melancholic) finale, with the descent into Hays' preoccupation solving it front and center across all three time periods.
Season 3 Lacks a Distinct Vision
Most of the performances inTrue Detectiveseason three are generally great, although the caricatures of hillbillies in the Ozarks are often one-dimensional and insulting. In addition to Ali, Dorff also gives an excellent performance as his partner. Additionally, Carmen Ejogo and especially Scoot McNairy givestellar performances in supporting rolesas Amelia Reardon, the future wife of Wayne Hays, and Tom Purcell, the distressed father of the missing children.
But similar to season two, this season is hurt by the lack of one distinct vision. Jeremy Saulnier helms the first two episodes, while Daniel Sackheim and Nic Pizzolatto himself split directorial duties this time around. The direction is generally stronger than it was in season two (albeit with less flashy cinematography), but it doesn’t feel quite as focused and cinematic as it was during the original installment.
True Detective Ripped Off Its Best Moments
Season four continues the streak of True Detective, TV’s most unoriginal series, of ripping off better films, books, and shows.
2Season 4: Night Country (2024)
True Detective: Night Countrymarks the first season ofTrue Detectivewithout Pizzolatto acting as showrunner or writer, though he is attached as an executive producer. Creative duties were delegated to Issa López (Tigers Are Not Afraid,Bad Girls), who also wrote and directed the first two episodes (arguably the best introductory episodes ofTrue Detectivesince the first season). Season four only has six episodes, which, in hindsight, was probably a mistake. Two more episodes could’ve done wonders to fill in some of the narrative and thematic gaps.
This season takes us to the snowy plains of Alaska, withdetectives Liz Danvers (Jodie Foster)and Evangeline Navarro (Kali Reis) investigating a series of disappearances at a local research station which may be connected with the vicious murder of a young Indigenous woman.True Detective:Night Countrymarks the first time the series has used a subtitle in its season title, as if to distinguish it from Pizzolatto’s trilogy. The dialogue is also heavily different from Pizzolatto’s pulp-meets-philosophy lingo, and the main detectives are less burdened with existential dread.
Arctic Noir and Polar Horror Inject New Life Into True Detective
When it premiered, fans and critics alike hailed season four as a wonderful reinvention of a series that had seriously stalled. The infusion of supernatural and Indigenous themes, along with a bold and wonderful setting, markedNight Countryas a very different form ofTrue Detective. The teasing connections with Rust Cohle and season one, and the bizarre mystery at the heart ofNight Country, were gripping from the start.
The first four episodes are tremendous, but unfortunately, the ending of season four is somewhat ridiculous and leaves a lot of plot holes unfilled. The performances by Foster, Reis, John Hawkes, Christopher Eccleston, and more, however, were wonderful, and the series' dark focus on misogyny (especially against Indigenous women) makes for a powerful theme.
1Season 1 (2014)
The first season ofTrue Detectivepremiered in January 2014 and contains eight episodes as well. It revolves around a pair of homicide detectives named Martin Hart (Harrelson) and Rust Cohle (McConaughey) as they delve into the case of a deranged ritualistic serial killer whose crimes they first encountered 17 years ago. They must then revisit the investigation, along with several other unsolved crimes. During this time, Hart’s infidelity threatens his marriage to Maggie (Michelle Monaghan), while Cohle struggles to cope with his troubled past.
True Detective Season 1 Is Still Its Best
True Detective’s first season explores themes of masculinity and Christianity. Critics adored its auteurist sensibility, having been entirely directed by the now disgraced Cary Joji Fukunaga. The influence of pessimist philosophy (Ligotti, Cioran, Benatar, Schopenhauer) and horror fiction on its storyline struck a chord with viewers, though allegations of plagiarism (specifically from Thomas Ligotti’s bookThe Conspiracy Against the Human Race) have plagued the season in retrospect.
While its female characters are rather one-dimensional, there is a lot to appreciate inTrue Detective’s first season, particularly in how it crafts a mood and a stark sense of atmosphere, which gives its existential pondering a muted weight. McConaughey delivers one of the all-time great television performances as Rust Cohle, which will ultimately go down as the show’s most iconic feature. His performance makes perfect use of the actor’s mystic radiance, and his sing-song way of speaking is perfectly in-tune with Pizzolatto’s verbose writing style.
Together, they work in harmony, and Rust’s morbid antinatalism is perfectly balanced by the unpretentious, genial, and somewhat sleazy Woody Harrelson character. While ideas like ‘the Yellow King’ and ‘Carcossa’ may not have been fully fleshed out, they are almost more haunting in their abstract obscurity. Season one remains prestige television and a unique classic.
